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Philipp Oschlies's avatar

The life that feels most like yours may not be the one that looks best from the outside.

Christopher Phelps's avatar

Using your own lived experience for illustration/contrast, you've put your finger on something I've been seeing a lot lately, too: authenticity as just another desperate branding gimmick. Just as the common wisdom says, "Notice how someone treats you when you have nothing they can use; when you are useless to them," mutatis mutandis, "Notice what kind of authentic someone is when the authenticity mask slips."

Poetry writing is an interesting case study, an authenticity laboratory from one end to the other. There's no way around making your own life lived-in and accessible enough to offer space for others; making something of your own sense(s) of things well enough for others to feel them with you. This is subtly different than making your own life and internal conflicts the product.

I've gotten a lot out of Marvin Bell's "32 Statements About Writing Poetry" over the years. My favorites change from season to season, but I return again and again to 20: "At heart, poetic beauty is tautological: it defines its terms and exhausts them." And 21: "The penalty for education is self-consciousness. But it is too late for ignorance."

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