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LucidLedger's avatar

Art has always flirted with visibility. The Medici didn't fund Michelangelo because they loved abstraction, but they loved what his work did for their name. The Sistine Chapel is as much a PR operation as it is a spiritual project.

The artist was always pushed to negotiate with whoever controlled the resources. The only thing that changed is who sits on the other side of the table.

Substack is, in a way, a dispersed patron. Instead of one sponsor, you have a thousand subscribers. Instead of an explicit commission ("paint my ceiling"), you have the implicit pressure of metrics. The form of patronage changed, but I think the dynamic didn't.

But where your argument really lands is that the quality of that attention is fundamentally different. A patron had taste. Good or bad, but articulated. At the same time, an algorithm has no taste; it has signals: clicks, dwell time, shares. When a creator optimises for that signal, he's not answering to a person with a vision. He is answering to statistical noise pretending to be an audience.

The problem was never that art flirts with attention. It always did. The problem is the difference between a patron who says "make something great" and a dashboard that says "your title had 3% better CTR with an emoji."

That said, I think the platform gets too much credit as the agent of change here. Substack doesn't cause identity drift. It accelerates it in people who never had a stable centre to begin with.

A creator with a clear internal position won't collapse because of an A/B test :)

Micha Keara's avatar

I've never cared for the term 'creator' since it started being applied to identify certain people as 'special'. I.e. it is about status from the get-go.

In a perfect world, everybody on the planet would be engaged in producing special *creations* that have meaning. I believe 'creating' is something we should all have access to. So IMO the term 'creator' is redundant.

I think this aligns with the thrust of your article Philipp. You have well-described the danger of identity drift when the activity is about metrics - where people with high subscriber counts are deemed to be 'special'.

And your 'contrarian' advice, to instead build and express a real identity, puts the focus on creating well-crafted objects as vehicles for this goal.

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